The Beatles, inspired by Bob Dylan's introspective songwriting and their own jangly, chiming electric Rickenbacker guitars, began writing pop songs with a decidedly folky edge as early as 1964, inspiring a West Coast group called the Byrds to experiment with a similar style. The Byrds' electric cover of Dylan's "Mr. Tambourine Man" set off the initial explosion of folk-rock in the summer of 1965, which in turn led to folk groups like Simon and Garfunkel having rock instruments added to their trad tracks (a move made behind the duo's back, yet resulting in the smash hit "The Sounds Of Silence"), as well as pop groups, mostly on the West Coast, covering Dylan songs for hip cachet (most notably the Turtles and Sonny and Cher). In turn, Dylan himself "went electric," leading folk purists to unfairly brand him a sellout and, in one famous incident at the Royal Albert Hall in London, a "Judas."
Though the initial folk-rock explosion only lasted a few years, being absorbed into the other collegiate rock genres that would all morph into "classic rock," it nevertheless had a lasting impact on pop and rock, resulting in sunshine pop and the development of the Los Angeles singer-songwriter scene that would come to dominate the coming decade.
- "Like A Rolling Stone," Bob Dylan
- "Turn! Turn! Turn!" The Byrds
- "Nowhere Man," The Beatles
- "The Sounds Of Silence," Simon and Garfunkel
- "Get Together," The Youngbloods
- "Atlantis," Donovan
- "For What It's Worth," Buffalo Springfield
- "Do You Believe In Magic," The Lovin' Spoonful
- "It Ain't Me Babe," The Turtles
- "California Dreamin'," The Mamas and the Papas