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Review: Diana Ross: Blue

Review: Diana Ross: Blue

About.com Rating threehalf out of Five

By Robert Fontenot, About.com

Tracklisting:

  1. What A Diff'rence A Day Makes
  2. No More
  3. Let's Do It
  4. I Loves Ya Porgy
  5. Smile
  6. But Beautiful
  7. Had You Been Around
  8. Little Girl Blue
  9. Can't Get Started With You
  10. Love Is Here To Stay
  11. You've Changed
  12. My Man (Mon Homme)
    Bonus Tracks
  13. Easy Living
  14. Solitude
  15. He's Funny That Way
  16. T'Ain't Nobody's Bizness If I Do

From the press release:

"BLUE," A NEVER-BEFORE-RELEASED 1972 DIANA ROSS ALBUM OF JAZZ STANDARDS, IS DISCOVERED IN THE MOTOWN VAULT

Debuts More Than Three Decades After Being Recorded

For more than 30 years, rumors have circulated of a never-issued Diana Ross album of jazz standards recorded around the time of her triumphant star turn in "Lady Sings The Blues." Recently, these archival recordings were discovered in the Motown vault. The resulting album, "Blue" (Motown/UMe), marks the long-overdue debut of what David Ritz, esteemed author and writer of the album's liner notes, calls "some of the most emotionally satisfying music Ross has ever made."

But perhaps because the tracks were considered too jazzy, a result of Ross delving so deeply into her film portrayal of Billie Holiday, a decision was made to return Ross to pop music. In 1973, she did just that and "Touch Me In The Morning" shot to #1. "Blue" never saw the light of day.

Recorded in late 1971 and early 1972, the album that is now being released as "Blue" was originally envisioned as a companion to the No. 1 soundtrack LP to "Lady Sings The Blues," a box office hit that earned a Best Actress Oscar® nomination for Ross. Blue was produced, arranged and conducted by Gil Askey, who did the same for the "Lady Sings The Blues" soundtrack and who had conducted Supremes shows in the past and would conduct Ross' solo shows in the future. "Blue" includes all twelve of the original tracks – all of which are previously unreleased, plus four bonus cuts from the recording sessions which took place in late 1971 and early 1972.

Blue's "You've Changed," "My Man (Mon Homme)," the Gershwins' "Love Is Here To Stay" and the fourth bonus track, "T'Ain't Nobody's Bizness If I Do," were heard in alternate versions on the "Lady Sings The Blues" soundtrack album. Rodgers & Hart's "Little Girl Blue" and "Blue" premieres Ross' renditions of Cole Porter's "Let's Do It," the Gershwins' "I Loves Ya Porgy," and Johnny Burke and Jimmy Van Heusen's "But Beautiful" as well as "What A Diff'rence A Day Makes," "No More," "Had You Been Around," "Can't Get Started With You." ("Had You Been Around," the album's lone Motown original, is performed by Michelle Allar in Lady Sings The Blues.) Also debuting are bonus tracks "Easy Living," "He's Funny That Way" and Duke Ellington's "Solitude." Each of these tracks had been recorded during the soundtrack sessions but was left out of the film and off the soundtrack album.

Charlie Chaplin's "Smile" would later appear in alternate versions on 1973's "Touch Me In The Morning" and 1976's "Diana Ross," respectively.

The release of "Blue" completes, finally, an important chapter in the career of one of the most popular singers in the history of popular music.

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