There were two types of big bands at the zenith of the genre's popularity: "sweet" bands, ballad-heavy and more likely to be concerned with melody, and "hot" bands, which were more rhythmically oriented, more prone to soloing, and more likely to appeal to fast swing dancers like jitterbuggers. The term is not always precise: some big bands could run both sweet and hot; some employed vocalists and some did not; some were closer to traditional jazz than others. After WWII, harder, more experimental and less danceable forms of jazz like bebop and free jazz began to take over the style, and pop music moved away from jazz entirely and began a slow, decade-long flirtation with urban blues that would lead directly to the birth of rock and roll. Big bands still exist today, many of them bearing the names of their long-dead leaders, as new bandleaders faithfully replicate the tightly regimented orchestration and arrangements of their most beloved hits.
- "In The Mood," Glenn Miller
- "Smoke Rings," Glen Gray and his Casa Loma Orchestra
- "Sing! Sing! Sing!," Benny Goodman
- "Leap Frog," Les Brown and his Band of Renown
- "I'm Gett8ng Sentimental Over You," Tommy Dorsey
- "Woodchopper's Ball," Woody Herman
- "Take The 'A' Train," Duke Ellington
- "One O'Clock Jump," Count Basie
- "Begin The Beguine," Artie Shaw
- "A-Tisket, A-Tasket," Ella Fitzgerald


