Most psychedelic music shares many of the same effects used to induce surrealism, namely, flanging, Eastern musical tonalities (or drones), backwards or otherwise distorted sounds, and tons of echo. Psych-pop wrapped these around traditional pop structures, usually delicate ones derived from English folk styles or "baroque pop." Traditionally, the songs also promote the "hippie" ethos -- not open proselytizing for drug use (usually) but rather celebrations of freedom, alternative lifestyles, deep philosophical study, and peace. While its rock counterpart morphed into prog at the end of the Sixties, psych-pop split in two directions at once depending on the continent: Brits turned to a harder style dubbed "freakbeat," while American psych-pop kept the positive attitude, ditched the preaching, and eventually dominated the airwaves in the early '70s as "sunshine pop." All of the above styles enjoyed a renaissance of sorts in the mid-Eighties.
- "Strawberry Fields Forever," The Beatles
- "Words," The Monkees
- "Incense And Peppermints," Strawberry Alarm Clock
- "Hurdy Gurdy Man," Donovan
- "Arnold Layne," Pink Floyd
- "Ride My See-Saw," The Moody Blues
- "Crimson And Clover," Tommy James and the Shondells
- "Time Of The Season," The Zombies
- "Pictures Of Matchstick Men," Status Quo
- "Space Oddity," David Bowie


